05 de febrero del 2024

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El artista Jesús Castillo, mejor conocido como Chuyasso, ha recorrido un proceso creativo a lo largo de varias décadas en el que ha tratado de plasmar a través de un lenguaje visual propio, su manera de acercarse por momentos ha sido escurridiza, pero también certera. Lo abstracto le permitió llegar a un nivel de profundidad donde el espectador ejerce un papel fundamental al interpretar la obra.

Cuerpos, rostros, llamas y heridas empezaron a configurar este discurso interno, donde colores como el rojo o la gama terracota dominaban los lienzos, explorando representaciones irracionales de lo humano.
Las manchas de pintura sin un orden aparente que salpican y acompañan sus obras, son como ese relieve donde el ser humano caído en el mundo, lleno de violencia y dolor se desdobla y nos sumerge en una realidad donde conocemos las entrañas de la vida.

Recientemente, presentó su exposición ''Transmutaciones en la bigotona'' en el centro de Cuernavaca.

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El artista Jesús Castillo, mejor conocido como Chuyasso, ha recorrido un proceso creativo a lo largo de varias décadas en el que ha tratado de plasmar a través de un lenguaje visual propio, su manera de acercarse por momentos ha sido escurridiza, pero también certera. Lo abstracto le permitió llegar a un nivel de profundidad donde el espectador ejerce un papel fundamental al interpretar la obra.

Cuerpos, rostros, llamas y heridas empezaron a configurar este discurso interno, donde colores como el rojo o la gama terracota dominaban los lienzos, explorando representaciones irracionales de lo humano.
Las manchas de pintura sin un orden aparente que salpican y acompañan sus obras, son como ese relieve donde el ser humano caído en el mundo, lleno de violencia y dolor se desdobla y nos sumerge en una realidad donde conocemos las entrañas de la vida.

Recientemente, presentó su exposición ''Transmutaciones en la bigotona'' en el centro de Cuernavaca.

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